
(date unknown ) Pulped book pages, paint, metallic leaf. 2 pieces, approximately 4 1/2″x 4’x 1 3/4″each. Collection of the artist.

(date unknown ) Pulped book pages, paint, metallic leaf. 2 pieces, approximately 4 1/2″x 4’x 1 3/4″each. Collection of the artist.









.0035 Pulped Book, .0020 Yellow Roses in Cement, .0042 Newspaper and Lint
.0762 Max’x Hair as Action Figures, .0319 Bread (paper napkins), .0150 5-Piece Place Setting,
.0149 Clothes of E. Kane, .0196 Journals and Letters Plastered in Wall, .0541 Tip Envelopes

Dirt, newspaper pulp, straw. longest 48″. Non extant.

Artwork, rhoplex. 24″x 16″x 14″ approx. Location unknown.

Fabric. 10″x 1 1/2″x 1 1/2″. Location unknown.

Newspaper. 14 1/2″x 6 1/2”x 4 1/2”. Collection of the artist.
Exhibited at the Washington Project for the Arts, Washington, D.C., 1984.

Journals plastered in wall. Site piece, demolished.
Installed for the inaugural exhibition “Louisiana Environments,” at the Contemporary Arts Center, New Orleans, 1977.

Rags, cut, sewn, compacted. 8″x5″x4 1/2”. Collection of the Newcomb Art Museum, Tulane University.
Exhibited at the Washington Project for the Arts, Washington, D.C., 1984.
This piece is seminal–a precursor– foreshadowing many of the themes I continue to address and return to:
saving, re-use, record keeping, journaling with materials, autobiography. “Italian Story” is made from bits of fabric that had already been used when I discovered and purchased them in a store on Via Santa Reparata in Florence, Italy in 1974 or 75. This unusual store was located a few doors down from the Santa Reparata Printmaking Studio where I was first introduced to the exciting medium of etching. In what felt like an un imaginable juxtapostion, this “store” was also located steps away from “The Last Supper,”1445-1450– by Andrea del Castagno –a dramatic and powerful work that impressed itself on my memory (accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata) I was on a tight budget and had never been much of a shopper, but I looked through these piles(small hills!) of rags and chose the ones that reminded me most of the colors of the Tuscan landscape that was unlike anything I’d ever seen prior. I had grown up in a (nondescript)Chicago suburb. In Florence I had entered a thrilling stage of my artistic development. I was also fortunate to be on the receiving end of great unexpected encouragement and affirmation of my experimentation with less orthodox techniques and materials. I began to print on these fabric scraps, sew them together, embroider them. I started to make a quilt. Ultimately, i was unsatisfied with it visually. But it was a reflection of a lot of time, thought , and experience. It had the aura of some of my history on top of the history the rags held-the life that the fabric had before it came into my hands. Italy was my first experience of a culture older than that of the US, with visible layers of long history, In this piece I chose to layer, compress, and thereby distill this record, and reveal some mysterious sense of it by exposing the layers.

30-40 Betsy Packard artworks from 1976-78, compacted. 19”x 15”x 9” and 18”x 15”x 9”. Location unknown.
Exhibited at the Washington Project for the Arts, Washington, D.C.,1984.

Used paper napkins from PSAHotel, San Francisco. 13×4 3/4×3 1/2”. Collection of the artist.

Pulped pages of the book “The Bhagavad Gita- As It Is, given to me at an airport. 16″x 9 1/2″x 3 1/2”. Collection of the artist.
Exbitited in “Bookworks: DC,” at the Washington Project for the Arts, Washington, D.C., 1980.
Exhibited in “Packard, Spaulding, Yamaguchi,” at the Washington Project for the Arts, Washington, D.C., 1984.

National Geographic magazines. 10″x7″x 2 1/4″. Collection of the artist.
Exhibited in “Paper: Changing Uses and Concepts,” Gallery 10, Washington, D.C., 1980.
Exhibited in “BOOKWORKS:D.C.,” Washington Project for the Arts, Washington, D.C.,1980
Exhibited in “Packard, Spaulding, Yamaguchi,” Washington Project for the Arts, Washington, D.C.,1980

Paper pulp and ashes of drawings, prints, and paintings done while in residence at Tulane University. 8″x6″x5”. Collection of the Newcomb Art Museum, Tulane University.
Exhibited at the Washington Project for the Arts, 1984.