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Photos from Packard installation, “Yamaguchi, Spaulding, Packard,” Washington Project for the Arts. Jock Reynolds, Director. Washington, D.C., 1984
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Photos from Packard installation, “Yamaguchi, Spaulding, Packard,” Washington Project for the Arts. Jock Reynolds, Director. Washington, D.C., 1984
Packard Installation photos. “Yamaguchi, Spaulding, Packard,” at Washington Project for the Arts. Jock Reynolds, Director. 1984, Washington, D.C.
Metallic leaf and wax on wood. 15″x 12′ approx. Packard-Melka Collection.
Plaster, paper, mixed media on wood. 29″x 18 3/4″. Collection of the artist.
I began painting the Madonna that is the foundation of this mixed media work when I was a preteen. From an early age I was visually attracted to an Early Renaissance sensibility- tho I don’t remember how I was first exposed to it—and to this subject matter; I can’t say why. Growing up, we attended church but would not describe our family as religious. I knew I wanted to be an artist and this was what i was drawn to paint. A year spent in Florence in 1974 deepened my affinity for this imagery and for the icon.
Teeth in watch. Collection of the artist.
Fabric, flour and water paste over plastic. 8”x 5”x 3” approx. Location unknown.
Plaster, glass, coat hangers
Painted wood. 11 1/2″x 8″x 6″. Collection of the artist.
Pumpkin pie left in oven (24 hrs?), 9″diameter. Non extant.
Fabric, flour and water paste, wire. 14 1/2” diameter 9”. Collection of the artist.
Plastic and plaster. 7″x 6″x 4 1/2″. Collection of the artist.
Fabric. 10″x 1 1/2″x 1 1/2″. Location unknown.
Xerox on paper, acrylic medium on wood. 9 1/4”x 5 1/2”Collection of the artist.