
Fabric and batting over wire. 23”x 7″diameter.
Exhibited at the American University Museum at the Katzen Arts Center, Washington, D.C., 2015.

Fabric and batting over wire. 23”x 7″diameter.
Exhibited at the American University Museum at the Katzen Arts Center, Washington, D.C., 2015.

Dress with batting, front sewn to back, quilted. 50″x 16″.Collection of the artist.
Exhibited at the American University Museum at the Katzen Arts Center, Washington, D.C., 2015.

Rags, cut, sewn, compacted. 8″x5″x4 1/2”. Collection of the Newcomb Art Museum, Tulane University.
Exhibited at the Washington Project for the Arts, Washington, D.C., 1984.
This piece is seminal–a precursor– foreshadowing many of the themes I continue to address and return to:
saving, re-use, record keeping, journaling with materials, autobiography. “Italian Story” is made from bits of fabric that had already been used when I discovered and purchased them in a store on Via Santa Reparata in Florence, Italy in 1974 or 75. This unusual store was located a few doors down from the Santa Reparata Printmaking Studio where I was first introduced to the exciting medium of etching. In what felt like an un imaginable juxtapostion, this “store” was also located steps away from “The Last Supper,”1445-1450– by Andrea del Castagno –a dramatic and powerful work that impressed itself on my memory (accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata) I was on a tight budget and had never been much of a shopper, but I looked through these piles(small hills!) of rags and chose the ones that reminded me most of the colors of the Tuscan landscape that was unlike anything I’d ever seen prior. I had grown up in a (nondescript)Chicago suburb. In Florence I had entered a thrilling stage of my artistic development. I was also fortunate to be on the receiving end of great unexpected encouragement and affirmation of my experimentation with less orthodox techniques and materials. I began to print on these fabric scraps, sew them together, embroider them. I started to make a quilt. Ultimately, i was unsatisfied with it visually. But it was a reflection of a lot of time, thought , and experience. It had the aura of some of my history on top of the history the rags held-the life that the fabric had before it came into my hands. Italy was my first experience of a culture older than that of the US, with visible layers of long history, In this piece I chose to layer, compress, and thereby distill this record, and reveal some mysterious sense of it by exposing the layers.

30-40 Betsy Packard artworks from 1976-78, compacted. 19”x 15”x 9” and 18”x 15”x 9”. Location unknown.
Exhibited at the Washington Project for the Arts, Washington, D.C.,1984.

4 piece place setting. Glue or Rhoplex. Collection of Renee Magnanti and Bill Pangburn.

Used paper napkins from PSAHotel, San Francisco. 13×4 3/4×3 1/2”. Collection of the artist.

Wax on wood. 9″x 7 1/2″. Collection of the artist.

Hair, watches. Collection of the artist.
Exhibited in “Plastic Memory”, McLean Project for the Arts, Mc Lean, Va, 2003

Newspaper. 13 1/2”x 12”x 6 1/2”. Location unknown.
Exhibited at the Washington Project for the Arts, 1984.

Plastic bread bag closures. 12 1/2″x 9 1/2″. Collection of the artist.

Gratuity envelopes, clients’ hair, cement. 11″x 8″x 5 1/2″. Collection of the artist.
Exhibited in “Hair Apparent,” curated by Twig Murray, The Athenaeum, Alexandria, VA, 2013.

Book, cement. 5″x 2’x 1 1/2″. Collection of Alexander Stoia.
Exhibited at the Washington Project for the Arts, Washington, D.C.,1984.

Newspaper, lint. 5″x 12″ diameter. Collection of Susan Yashar, Washington, D.C.
Exhibited at Hillyer Art and Artists, Washington, D.C. , 2011.

Mixed media. 8″x 7″x 2″. Collection of the artist.

Hand sewn and woven mixed fabrics. 23″x 17″x 3″. Collection of the artist.
Exhibited in “WTF Gurlz,” Artists and Makers, Rockville, MD, 2019.