
Used clothing applique. 40″x 34″. Collection of the artist.

Used clothing applique. 40″x 34″. Collection of the artist.

Used fabric and clothing applique with quilting. 34″x 30″. Collection of the artist.

.1353 (detail)

Stencil and appliqué with used fabric and clothing. 57”x 28”. Collection of the artist.

Embroidery, appliqué, weaving, quilting with used fabric and clothing. 73”x 62”. Collection of the artist.

Applique and quilting with used fabric. 47″x 31”. Collection of the artist.


Used clothing with quilting, stuffing, applique. Handsewn. 48 1/2″x 48″. Collection of the artist.

Used clothing wall relief. 24″x 20 1/2″x 3″. Collection of the artist.

Appliqued used clothing construction. 60″x 55″. Collection of the artist.

Stencil, applique, quilting, 63″x 47″, including beautiful gifts of fine and castoff clothing from friends and family; my own things too. I love the variations in the fabric as a result of use: wear, sweat, stains, holes. Handsewn. Some of the clothing had originally been painstakingly handmade and handsewn–so much work! and I’ve tried to retain some of the stitching of these anonymous needleworkers and garmentmakers. Collection of the artist.

Used fabric and clothing applique with quilting. 60″x 47″. Collection of the artist.

Appliqued used fabric. 35 1/2″x 26″. Collection of the artist.

Appliqué, hand-me-downs. 23”x 20”x 6”. Collection of the artist.

Appliqued used fabric. 29 3/4”x 26 3/4”. Collection of the artist.

above: work by Thomas Doyle, Betsy Packard, and Jiazi Yin in “Blue,” at King Street Gallery, Montgomery College.
The following featured works are mine. They are of varied dates (1982 to 2023), sizes (98″x36″ is the largest), and materials (everyday and abundant-as well as saved, treasured ones). I’ve returned to used clothing as the primary. Mine is a green, slow art- right now more than ever-where conservation of resources is a priority.







Felt and used fabric applique, quilted. 42″x 34″. Collection of the artist.