
Painted plaster. 21″x 15″x 14″. Collection of the artist.

Painted plaster. 21″x 15″x 14″. Collection of the artist.

Plaster, clay residue. 10”x 5”x 5”. Collection of the artist.

Plaster and paper. 8 1/2″x 6 1/4″x 3″. Collection of the artist.



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Photos from Packard installation, “Yamaguchi, Spaulding, Packard,” Washington Project for the Arts. Jock Reynolds, Director. Washington, D.C., 1984




Packard Installation photos. “Yamaguchi, Spaulding, Packard,” at Washington Project for the Arts. Jock Reynolds, Director. 1984, Washington, D.C.





Fabric, cement. 14″x 9″x 4″. Collection of the artist.

Red paper napkins, cement, 9 3/4″ x9″ x2 1/4″.
Pretty sure this was exhibited in “Sculpture Now”, Washington, DC, 2005.

Cement, plaster, fabric, lint. 10″x 7 1/2″x 7″. Collection of the artist.

Plaster, glass, metallic leaf, grout. 14″x 11″ diameter. Collection of the artist.

Plaster in wood frame. 8 1/4”x 7” x 2”. Collection of the artist.

Plaster, paper residue. . 8″x 12″x3 1/2″. Collection of the artist.


Plaster, paper residue, wood, coat hanger. 20 1/2”x 12”x 2 1/2”. Collection of the artist.

Plaster, paper, mixed media on wood. 29″x 18 3/4″. Collection of the artist.
I began painting the Madonna that is the foundation of this mixed media work when I was a preteen. From an early age I was visually attracted to an Early Renaissance sensibility- tho I don’t remember how I was first exposed to it—and to this subject matter; I can’t say why. Growing up, we attended church but would not describe our family as religious. I knew I wanted to be an artist and this was what i was drawn to paint. A year spent in Florence in 1974 deepened my affinity for this imagery and for the icon.

Wax, shells, cement. 10″x 3 1/2″ diam. Collection of the artist.