
Painted plaster. 14 1/4”x 8”. diameter. Collection of the artist.

Painted plaster. 14 1/4”x 8”. diameter. Collection of the artist.
If you’re familiar with this archive, it’s set up as a blog. I post work randomly, in no particular order: new work as I finish it, but older work too as I scan decades of slides. Using the menu, you can search categories of work by year, medium, etc.
In this post see examples of my early sculpture in newspaper pulp. I used cardboard and plastic items, packaging containers , boxes, etc.— as molds for casting very simple 3-dimensional forms. Later I began to substitute plaster for the pulp (it’s quick-drying, captures detail, is a good binder material and can also be used additively). At times the resulting forms had an uncanny figurative or botanical quality, or they reminded me of other works of art.

.0548 (after 6 Persimmons). 1978. Rolled newspaper embedded in newspaper pulp. When I cut into this loaf form, I loved its quiet simplicity and immediately thought of the 13th-century Chinese painting “6 Persimmons” by the monk Muqi Fachang. I did this pre-1980s–but see it as transitional.

.0048 Window. 1980. Newspaper. 14 1/2″x 11″x3 1/2″. Exhibited at Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0058 Still Life 1979 newspaper. 18″tall. Collection of the artist.

.0034 Bull’s Head (picasso). 1980. Newspaper, metal. 16″x 15″x 10″. Exhibited at Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0076 The Kiss. 1980. Newspaper. 8 1/2”x 5 3/4”x 4”. Exhibited at Washington Project for the Arts, Washington, D.C., 1984.Collection of the artist.

.0526 Winged Victory. 1980. Newspaper, metal, plaster. 18 1/2″x 13″x 9″. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Exhibited in “Catalyst: 35 Years of Washington Project for the Arts 1975-2010,” curated by J.W. Mahoney, American University Museum at the Katzen Arts Center, Washington, D.C.2011. Collection of the artist.

.0535 (eyes of t j ekelberg). 1980. Newspaper, 11”x 9”. Exhibited at Hillyer Gallery, Washington D.C., 2011. Collection of the artist.

.0374 (screen figure). 1982. Plaster, screen. 9″x 6″x 1 1/2″. Collection of the artist.

.0375 1981. Plaster, plexiglas. Approx. 8”x 5”x 2 1/3”. Collection of the artist.

.0380 Styrofoam Head 1980 Plaster,wood, styrofoam. 13 1/2″x 11 3/4″x 5 1/2”. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0381 1981 Plaster. 10 1/2”x 10”x 5”. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0373. Angel. Plaster. 7 1/2″x 6″x 1 1/4″. Collection of the artist.

384.Spoon Children 1981 Plaster. 11 1/4″x 9″x 5″. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0392
(couple) 1982 Painted plaster.13 1/2”x 12 3/4”x 9”. Collection of the artist. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Exhibited at the American University Museum at the Katzen Arts Center, Washington, D.C., 2015. Collection of the artist.

.0377 Running Figure 1981 Plaster and fabric. 18″x 4 1/2″diameter. Exhibited at the Washington Project for the Arts, Washington, D.C., 1984. Collection of the artist.

.0386 1981Plaster, wood, and fabric. 18″x 4 1/2″x 4″. Collection of Bill Roseberry.

Painted plaster. 21″x 15″x 14″. Collection of the artist.

Ceramic. non-extant

Plaster, fabric, plastic. 11”x 10”x 7 1/2”. Collection of the artist.



.1226

Photos from Packard installation, “Yamaguchi, Spaulding, Packard,” Washington Project for the Arts. Jock Reynolds, Director. Washington, D.C., 1984




Packard Installation photos. “Yamaguchi, Spaulding, Packard,” at Washington Project for the Arts. Jock Reynolds, Director. 1984, Washington, D.C.

Metallic leaf and wax on wood. 15″x 12′ approx. Packard-Melka Collection.

Plaster, paper, mixed media on wood. 29″x 18 3/4″. Collection of the artist.
I began painting the Madonna that is the foundation of this mixed media work when I was a preteen. From an early age I was visually attracted to an Early Renaissance sensibility- tho I don’t remember how I was first exposed to it—and to this subject matter; I can’t say why. Growing up, we attended church but would not describe our family as religious. I knew I wanted to be an artist and this was what i was drawn to paint. A year spent in Florence in 1974 deepened my affinity for this imagery and for the icon.

Teeth in watch. Collection of the artist.

Fabric, flour and water paste over plastic. 8”x 5”x 3” approx. Location unknown.

Plaster, glass, coat hangers

Painted wood. 11 1/2″x 8″x 6″. Collection of Bill Roseberry.

Pumpkin pie left in oven (24 hrs?), 9″diameter. Non extant.

Fabric, flour and water paste, wire. 14 1/2” diameter 9”. Collection of the artist.